Archive for the ‘Life in general’ Category

On Artists and Money

Thursday, October 1st, 2009

A few days ago I read this wonderful blog post by Amanda Palmer about “money, shamelessness, & how an artist today relates to her fans” (as summarized by Neil Gaiman on Twitter).  Then Cory at The Abundant Artist posted about it and asked for thoughts. I started commenting on his blog and discovered I had too much to say on the subject for just a comment!

So, first, go read her post. Really – this won’t mean half as much if you haven’t. I’ll wait.

Okay, so now that’s done, here are my thoughts:

I love what Amanda is doing, and what she had to say about it. While her route is absolutely not for everyone (as she acknowledges), it’s not supposed to be. It’s all about widening the avenues for artists to receive support from their fans.

I think that in a way, we’re seeing the world of art come full circle.

Once upon a time most artists received support directly from the people who appreciated their art – whether that meant finding wealthy patrons or passing the hat at a performance. As time passed technology allowed art to be recorded and/or reproduced and spread to greater audiences, but the artists could only do so much… so businesses were created to distribute those art works, and to promote them, and so forth.

But now, technology has reached the point where it can be relatively easy for an artist to take care of many or all of those steps directly – and in return, not have to give up either the control or the money that they had been giving to everyone in between them and their fans.

And one thing that some people seem to forget is that fans want to support the artists they love!

Nobody is forcing anyone to follow Amanda’s tweets, attend her concerts, or buy her art… in fact, she’s really doing far less forcing of support than the ‘traditional’ model. She provides a wide stream of content (and connection), and as one of her fans you get to choose how much of it you want to take in, and what you want to give her in return. You may buy something, you may spread the word to your friends, or you may just give her your attention – but it’s completely your choice.

When I find an artist whose work really speaks to me it’s exciting, energizing. I want to share my appreciation. I want to help make sure they get to keep making this art that I love. And guess what? The easiest route to both of those goals is to give them money!

And personally, when the artist is asking for that money directly, when I get to hand it to them or buy directly from their site, I find that even more exciting. It feels like more of a real connection, and I also take comfort in knowing they’ll actually get most of it. (When was the last time you were excited about spending money for a concert ticket? How about the last time you were excited about the Ticketmaster surcharge? Do you see my point?)

I think it’s pretty funny that our culture has developed into something where people don’t bat an eye at being marketed to by big corporations practically 24-7, and frequently in really intrusive ways, but will be deeply offended if an individual who is really putting herself out there and sharing her work has the audacity to ask to be paid for it. In fact, a lot of the people who think that what Amanda is doing is so outlandish would be totally fine with the same basic actions if they were put in the framework of a slick marketing blitz run by her record company. And that’s just backwards!

But the only way that anything ever changes is for someone to do something different. And of course, when things change a lot of people get freaked the heck out. So it’s not surprising that she’s seeing  a backlash. But I, for one, am grateful for Amanda and all of the other artists who are feeling their way though this transition and bringing the personal connections back to art.

And when the hat is passed to me, I will put my money where my eyes and ears and heart are.

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Workbench!

Sunday, February 22nd, 2009

The new workbench - nearly completedLookee there! That’s my new workbench, ready to use. A friend who loves woodworking and had all of the necessary tools and know-how came over and built it for us, for which I am extremely grateful. The post in the middle is sunk into the garage floor and filled with concrete to protect the back wall. so we had to design around it… Made for quite a tall workbench, but that’s actually quite nice for the finer detail work I’m generally doing.

Bob also designed it with a replaceable table-top… the hardboard layer on top is attached with carpet tape, and there’s a hole drilled through the bottom layers to allow you to push through and pop out the top once it’s beat up – there’s a spare one ready leaning up against the wall.

The bench is actually not quite finished – there’s going to be a shelf over those bottom supports, and some edging on the table-top… but it’s usable right now, and use it I have. You may understand even more of why I’m so excited about this, if you see my previous “workbench” set-up:

The old "workbench"An old Ikea bookcase that had been warped while my stuff was in storage for a year… it couldn’t stand up straight, but flattens itself under its own weight when placed on its side. Seating provided by the upside-down 5 gallon bucket. This had the additional drawback that it left me below the line-of-site of the motion detector that’s wired to our garage overhead light, so I had to wave my arms around every so often or I’d suddenly be in pitch darkness.

Okay, now that I’m done showing off the workbench, I’m going to get back to using it. More later!

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A Polymath’s Halloween

Sunday, November 2nd, 2008

Halloween is my favorite holiday. I love the costumes, and the spookiness, and the sense of fun and playfulness that seems to me to be more entrenched in Halloween than any of the other major holidays.

This year we had plans to head up to Seattle to attend a Halloween party with Sean’s dad, but that fell through and we were left with about a week until the big day, with costumes arranged but nowhere to go. I did some searching online to find out what was happening in Portland, and found a great solution.

R. Buckminster Fuller: The History (and Mystery) of the Universe

Portland Center Stage is currently showing a one man play about R. Buckminster Fuller – 20th century American architect, inventor, and philosopher, and namesake of the Carbon 60 atom, or buckyball. The play is running until December 7th and we had already determined that we wanted to go, but when I started looking around for a Halloween activity I came on a coupon code – in order to get some people into the theater on what would likely have been a very quiet night otherwise, PCS was selling Halloween-night tickets to Bucky for $8.50 each! Plus, they were throwing a party afterward with free snacks and drinks.

So on Friday night we got into our costumes and headed out to the theater. I found the play to be not only entertaining, but also inspiring… Fuller was a great proponent of “doing more with less” (which he called ephemeralization) and structuring things for the benefit of humanity as a whole. We were treated to a number of gems from his philosophies, his inventions, and his explorations of geometry, and it was overall a fun, interesting, thought-provoking evening. The play did a great job of covering the subject matter in a way that was very accessible, without being at all ‘dumbed down’, and if you’re interested in a kind of brainy, non-traditional play I’d highly recommend it.

One of the things Bucky says in the play that really stuck with me, particularly given what I was just writing about in here last week, was essentially that everyone is born a generalist, with vast stores of curiosity – we have to be, to handle all of the things that we learn in the first handful of years we’re alive. But then society knocks it out of us, encouraging specialization because specialists are easier to handle, more predictable.

I think I’ll be doing some more exploring into the writings and other creations of Mr. Fuller, and I’m also contemplating adding a tribute to him in my product line now.

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Introductions

Wednesday, October 22nd, 2008

This always seems to be the most awkward part of starting a new blog or website…. the small talk before you can get into a real conversation. But it’s a necessary awkwardness, so let’s just dive right in:

I’ll start with a bit of information about me. I’m a 29-year-old woman living just outside of Portland, Oregon with my husband Sean and a couple of house plants (unfortunately, he’s quite allergic to most pets.) By day I manage a customer service department, and on evenings and weekends I can generally be found either working on my creations, attending a concert, reading, or geeking out playing computer games.

I’m in the midst of launching Polymath Design Lab – developing the product line, the website, the brand as a whole. I’ll be posting soon on the reasoning behind the name, and you’ll have the opportunity to watch and read about the whole process of getting the company up and running. Thanks for joining me!

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